- REAMP STUDIO REVIEW DRIVERS
- REAMP STUDIO REVIEW DRIVER
- REAMP STUDIO REVIEW SOFTWARE
- REAMP STUDIO REVIEW SERIES
That’s before you consider all the flexibility it gives you when mixing your guitar tracks. Imagine being able to send off your dry signal to someone on the other side of the planet who owns your dream amplifier and have them re-amp your playing through their amp. There are so many advantages to this technique. With such a range of products available these days, it’s never been easier to capture your dry tone and posthumously alter it. Amps such as the IRT-Pulse (a desktop or pedalboard mountable pre-amp with the aforementioned T-USB functionality), the L5 STUDIO (a Single ended, boutique, Class A valve amp) the IRT-SLS that we reviewed in an earlier issue of GI and not forgetting our bass playing comrades, the Nexus-SLS Bass amp, are all home to this feature. Laney has produced several re-amp ready products to make life easier for the recording guitarist having developed a unique ‘Tube to USB’ function – T-USB. Initially, the technique was used mostly for electric guitars, but since the early 2000s has notably been applied to other instruments such as recorded drums, synthesizers, and virtual instruments.
REAMP STUDIO REVIEW SOFTWARE
Re-amping is a method often used in recording, during which a recorded signal is routed back out of the editing software and run through external processing, like effects units for instance. Tom Quayle walks us through the process using Laney’s single-ended Class A valve amp, the L5 Studio. If you’ve ever managed to record the perfect take but, ultimately, were unhappy with the tone you achieved, or you’ve perfected your tone and would love to go back to previous recordings and apply your new found sound, then re-amping might well be your saviour. Tom Quayle Re-amping made easy, with the Laney Lionheart L5 Studio It has two channels and a studio quality digital reverb and cabinet simulation.
The T-USB equipped amp makes it super easy to capture your tone direct into your DAW.
REAMP STUDIO REVIEW SERIES
S Series monitors are equipped with a high-performance DSP-powered crossover for optimum frequency response and an extended dynamic range.The Laney L5 STUDIO brings Single-Ended Class ‘A’ tube tone into the digital realm. Plenty of Powerĭon’t let its compact size fool you-the S2V is capable of pumping out up to 120 dB SPL per pair! A 300 W Class D amplifier drives the woofer while a 50 W Class A/B amplifier pushes the S-ART tweeter. Combined with the newly designed HPS waveguide, the S2V offers a wide sweet spot and helps reduce early reflections. Featuring improved transient response and an advanced dynamic range, S-ART tweeters produce minimal distortion even at high SPLs. With a linear frequency response up to 50 kHz, the S-ART tweeter offers unparalleled clarity and definition. The newly-designed S-ART tweeter is the latest iteration of Adam Audio’s world-famous X-ART tweeter design.
REAMP STUDIO REVIEW DRIVER
A custom-tuned basket eliminates unwanted resonance and distortion, allowing the ELE bass driver to achieve unprecedented clarity and transparency. The S2V uses Adam Audio’s bass-reflex system to deliver a powerful, distortion-free low-end down to 35 Hz.
REAMP STUDIO REVIEW DRIVERS
Custom-designed for the S Series, ELE drivers offer extremely accurate audio reproduction, even at high levels. The S2V is equipped with an all-new 7-inch Extended Linear Excursion (ELE) bass driver. Featuring a newly designed 7-inch bass driver, a precision S-ART tweeter and 350 W of power, the S2V packs a powerful punch in a compact package. The Adam Audio S2V Monitor is an award-winning two-way nearfield monitor custom-made for home studios and small to mid-sized control rooms. Digital Adapters & Miscellaneous Cables.
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